By Mark Pukalo
In my lifetime, there may not have been
a year in movies better than 2015.
It provided another chapter to some
amazing series, gave us a look at what journalism can be, produced perhaps the
most beautiful non-human creature ever, gave us interesting looks at the music
industry and one of the best cartoons ever.
It was filled with amazing acting
efforts, whether on a big scale or a smaller one like RJ Cyler’s turn as Earl
in “Me & Earl and the Dying Girl,” or Michael Shannon in "The Night Before." Leonardo DiCaprio will probably win the
Oscar, but a 9-year-old named Jacob Tremblay could have won Best Actor after
his incredible performance in “Room.” Michael Keaton, Rachel McAdams, Mark
Ruffalo and Liev Schneider made you feel like you were in an actual newsroom
with pitch-perfect performances in “Spotlight.” The world was also introduced
to the talent and beauty of Swede Alicia Vikander in “Ex Machina” and others
while Steve Carell was surprisingly terrific in “The Big Short,” Will Smith
fantastic in “Concussion,” Matt Damon made “The Martian,” fun, Jennifer
Lawrence was as powerful as ever in “Mockingjay Part 2” and “Joy,” John Cusack
had a great take on a city priest in “Chiraq,” O’Shea Jackson Jr. burst on the
scene in “Straight Outta Compton,” Mark Rylance couldn’t have been better as a
Russian spy in “Bridge of Spies,” and Andrew Garfield was outstanding in “99
Homes.” There were so many more.
Here’s how much different 2014 was to
2015. The movies I rate between 30 and 40 this past year would have been in the
running for around 14-16 in 2014.
The best of the best was Tom McCarthy’s
“Spotlight.” I was in the newspaper business for more than two decades and
watching this movie brought back wonderful memories of those times when I
couldn’t wait to get back to the office for work. As time went on, things
changed. It became more of a job. Whether it was ultimately the price of paper,
media conglomerates becoming tone deaf or just bad ideas, newspapers are not
the same anymore. It’s more about sensationalism and interaction instead of
news. It’s sad. Good, hard-nosed stories are hard to do because there are too
many cooks in the kitchen, too many people to please. Report something that’s
true, but hurtful, and you can expect to be vilified.
Cate Blanchett had a perfect speech at
the end of “Truth,” -- another terrific movie about the media in 2015 – “If
they don’t like a story, they scream, they question your politics, your
objectivity, heck, your basic humanity. They hope to God that the truth gets
lost in the scrum. And when it is finally over and they have kicked and
screamed so loud, we can’t remember what the point was.”
“Spotlight” was smart, entertaining and
produced emotions through a very distressing subject. It didn’t bash religion.
It fought power. It shined light on people that made criminally poor decisions
when they were supposed to be there to help the public. It showed what the
media was, and should still be. It was – by far – the best movie of 2015.
Here’s a look at the Year in Movies 2015:
Worst of the year: Chappie – Had
a lot of competition this year, but this weird robot movie took the cake.
Almost worst of the year: The
D Train (Talk about a bad screen play. Ugh), Jupiter Ascending (Mila Kulis is
cute, but I had no idea what was going on), Hot Pursuit (Reese Witherspoon and
Sofia Vergara not funny together), The Gunman (Could not figure out the plot
and lost interest thinking about it), Air (A lot of nothing for an
anti-climatic ending), American Ultra (Not even a fun mess)
Barely enough value to make it worth a $1.50 Redbox rent “when
there is nothing else available”: Blackhat,
The Avengers – Age of Ultron, Paul Blaart Mall Cop 2, Get Hard, Kingsmen,
Focus, 71, True Story, Mistress America, Our Brand of Crisis (if it wasn’t
Sandra, it would be in the next category down), Vacation (a very few laughs
between cringes), Diary of a Teenage Girl (not as smart as it makes itself out
to be), Mission Impossible – Rogue Nation (lots of chasing), Dope, Wild Card, The Stanford Prison Experiment
Most disappointing: No Escape
(not that I expected a lot, but could have done way more with the story), Rock
the Kasbah (Bill Murray with a dud).
Most over-rated: Sicario (Benicio
Del Toro and the likeable Emily Blunt in a drug war story that is intense but
hard to follow), Mad Max: Fury Road (It was ok for this type of movie, but an
Academy Award nomination?)
Did not see (most not by choice): The Danish Girl, Son of Saul, 45 Years, Beasts of No Nation, It Follows, The Assassin, Duke of
Burgundy, Tangerine, The Clouds of Sils Maria, Timbuktu, The Tribe, Burnt, Pawn
Sacrifice, Captive, Minions, War Room, Selfless, The Gift, Tomorrowland, I’ll
see you in my dreams, Pixels, Pitch Perfect 2, We are your friends, Ant Man,
Fantastic 4, Heist, Grandma, My All-American, I Smile Back, Entertainment, Fifty Shades of Grey
Worth a Redbox rent (but slightly below high honorable
mention): Spy (some funny stuff), Irrational Man (This
Woody Allen movie is different), End of the Tour (unique with some good acting
from Jesse Eisenberg, but a little thin), San Andreas (not a bad disaster
movie), Zipper (Indy about a prosecutor that can’t keep it zipped), Black Mass
(the Whitey Bulger story didn’t grab me totally), Woodlawn (a mix of football
and religion which is more like an afternoon TV movie), The Walk (Isn’t great,
but was better than anticipated), Everest (interesting, but why do these people do this?), Steve Jobs (intense, well-acted, but it didn't grab me), The Night Before (Got a kick out of it. Better than expected), Anomalisa (weird, but kinda good).
High Honorable Mention: Entourage
(Heck, it was fun and Ronda was great), Jurassic World (Better than the last
few in the series), Man from Uncle (one of Vikander’s other great performances),
MacFarland USA (Kevin Costner coaches cross country), Ted2 (funniest movie of the year), Ricki & the
Flash (Meryl Streep rocks out), Spectre (decent Bond would’ve been a top 20 in
many other years), Mockingjay Part 2 (Finale of Hunger Games was fine, just not amazing), Aloha (Cameron
Crowe’s script was lacking a bit, but I enjoyed it all more than most because
of the likeable characters), A Walk in the Woods (Redford and Nolte tour de force), Amy (Fascinating documentary on Amy Winehouse was well worthy of oscar).
Joe Lunardi's first five out:
He Named Me Malala – An interesting, heart-wrenching documentary about the wonderful young woman; The Intern -- Robert DeNiro and Anne Hathaway are surprisingly good together; Trainwreck -- Second funniest movie of the year with an overplayed, but humorous, appearance by LeBron; Southpaw -- Good stuff overall, but Jake Gyllenhaal was a bit over the top as a boxer; Trumbo -- Bryan Cranston is terrific as the Communist script writer.
TOP 25
25. The Revenant – Leonardo was fantastic
during his rough journey through the wilderness, but I just didn’t find it
incredibly compelling enough to be higher. What a great performance by the
bear, too!
24. In
the Heart of the Sea – Ron Howard’s story about the inspiration that led to
the writing of Moby Dick was much better than I expected.
23. Insurgent
– The second in the new series with Shailene Woodley stealing the show again.
22. The
Hateful Eight – Typical Quentin Tarantino flick with plenty of over-the-top
moments during the bounty hunter’s journey. Samuel L. Jackson and Jennifer Jason
Leigh are especially terrific.
21. Chiraq
– Spike Lee’s in-your-face story of senseless crime in Chicago has some real
interesting, thought-provoking moments. Teyonah Parris was a commanding
presence.
20. Paper
Towns – Compelling story about a young man’s quest to find and understand a
girl he has idolized since youth. I think there was a Margo in every man’s
life.
19. Me
& Earl and the Dying Girl – Quirky coming-of-age story that educates
and entertains. The young version of Earl -- Edward DeBruce III – spouted a
line I may use some day as he walked into his friend Greg’s house and saw a
kitty sitting on the porch. “You wanna fight cat? Didn’t think so, punk-ass
cat.”
18. 99
Homes – The other, more ugly, side of the story addressed in No. 3 on this
list -- about the collapse of the housing market. Michael Shannon is really
good at playing villains.
17. The 33 – Antonio Banderas and Juliette Binoche star in the story of 33 miners in Chile trapped underground for 69 days.
16. Carol -- Rooney Mara certainly deserved her Academy Award nomination with her brilliant performance as the adorable Turesz in this unique drama about forbidden love in the 50s.
15. Brooklyn
– Saoirse Ronan shines as a wide-eyed Irish immigrant who creates a new life
for herself before issues surface. Nick Hornby (High Fidelity, About a Boy,
Wild) wrote a terrific screenplay.
14. Bridge
of Spies – Tom Hanks impeccably plays an American lawyer who is hired to
defend a Soviet spy (Rylance) and work through Cold War tensions. Hanks asks
Rylance often why he is not nervous or worried? “Would it help?” Rylance
replies. Isn’t that the truth.
13. Love
& Mercy – Paul Dano and John Cusack play the young and the older
versions of the brilliant, but troubled, Beach Boys leader Brian Wilson. Dano
should have been nominated.
12. Truth
– Blanchett plays CBS producer Mary Mapes with gusto in a story of the doomed
(but probably totally true) 60 minutes report on George W. Bush’s military
service. Robert Redford was also sharp as Dan Rather and Dennis Quaid as a
“Jarhead.”
11. The
Force Awakens: Star Wars Episode 7 – A terrific return of the amazing
science fiction series, which pulls on the heart strings from the past and
introduces appealing Daisy Ridley (Rey) to the mix. Good to see Chewy – the
best wing man ever -- again, too!
10. Creed
– Michael B. Jordan brings the series back as the illegitimate son of Apollo
Creed while Sylvester Stallone provides perhaps his best performance since the
original “Rocky.”
9. Joy
– A fun mess about a dysfunctional family the first half and a smart final hour
with Lawrence showing her talent and personality.
8.
Inside Out – Amazing, funny, smart, heart-warming cartoon that pulls you in
and makes you think. Probably the best animated movie since “Toy Story.”
7. Room
– Brie Larson and Tremblay produce amazing performances in this harrowing story
about an abducted young woman, who is trapped in a shack for five years with
her young son. Have some tissues available.
6. Straight
Outta Compton – Interesting look at the ground-breaking rap group N.W.A for
those like me who did not know much about them, and for those who did.
5. The
Martian – Damon kills it as an astronaut left on Mars, where he must figure
out a way to live long enough for a rescue mission to arrive.
4. Concussion
– Smith’s portrayal of Dr. Bennet Omalu should have at least garnered him an
Oscar nomination in the story about the NFL’s criminal ignorance toward head
injuries.
3. The
Big Short – A maddening, yet entertaining, look at the way the big banks
and Wall Street helped cave in the economy in 2008 with greed and stupidity.
2. Ex
Machina – Vikander plays a gorgeous robot, who is the latest version
of an A.I. built by a brilliant -- but sloppy -- rich recluse played creepily
by Oscar Isaac. It is unique, interesting, intense and, whoah, what an ending.
1. 1. Spotlight – Impeccably written and acted work of art that perfectly
depicts what a great newsroom used to be like.
Previous
picks for Best of the Year
2014
– Birdman
2013 --
Nebraska
2012 – Silver
Linings Playbook
2011 – The
Descendants
2010 – The
Social Network
2009 –
Inglourious Basterds
2008 –
Frost/Nixon (The Wrestler, a close second)
2007 – Once
Best
of Decade 2000-2009 – Almost Famous
Hopes
for Oscars (Those nominated)
Best Actor – Damon
Best Actress – Larson or Ronan
Best Supporting Actor – Rylance, but Ruffalo, Bale and
Stallone were all spectatcular
Best Supporting Actress – Vikander for the Danish Girl,
cause she should have won for Ex Machina
Best Picture – Spotlight
Cinematography – The Revenant
Directing – Lenny Abrahamson, Room
Documentary – Amy
Adapted Screenplay – Brooklyn
Original Screenplay – Ex Machina